Arranged by Aaron Juhl. Romantic Period. Sheet Music Single. Published by Aaron Juhl S0. Arranged for four-part ukulele ensemble: two soprano ukulele parts, one baritone ukulele, and one bass can be performed by bass ukulele, electric bass, or upright bass. Performable by middle school students. This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. Our independent musicians have created unique compositions and arrangements for the Sheet Music Plus community, many of which are not available anywhere else.

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We'll instantly send an email containing product info and a link to it.Although based on the famous Orpheus myth, Offenbach has satirised the story, turning it on its head for his operetta. Unlike the tragic tale of love and loss that many of us know, in this version, Orpheus is in fact glad to be rid of his deceased wife, who has been having an affair with Pluto. When Eurydice ends up in the underworld, Public Opinion forces the reluctant Orpheus to rescue his wife. Jupiter states Orpheus can retrieve Eurydice from the underworld, so long as he does not turn to look back at her.

On their way out, however, Jupiter who has since fallen in love with Eurydice lets loose a lightning bolt, causing Orpheus to jump and look back.

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Eurydice vanishes back into the underworld and everyone except Public Opinion is thrilled with the result. Finally, after months of negotiations he was permitted a new licence, which allowed more characters and even a chorus.

Orpheus in the Underworld

During the mid-nineteenth century, Offenbach wrote at least 18 operettas, helping to make it an international art form. Find out more about the history of operetta. The Can-can dance first appeared in Paris in the s, and was popular throughout most of the nineteenth century. The dance had a reputation for being raunchy and scandalous, mostly due to the fact dancers often wore crotch-less pants under their ruffles skirts, leaving little to the imagination with each high-kick.

Take a look at the use of the music in TV and Film. Rice, an award-winning director, launched her own theatre company, Wise Childrenin Do you know your Diana from your Dionysus? What about your Juno from your Jupiter? The fast paced, high-energy music has been used regularly in TV and film throughout the years. Look at some examples here! There are literally hundreds of depictions of the Orpheus myth in opera, and we've chosen four to stage as part of our Season.

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offenbach orpheus in the underworld infernal galop midi

View 9 images. Director Emma Rice made her ENO debut The brand-new glitzy production showcased her talents for theatrical spectacle and humour. The beginner's guide to operetta Take a look at the best known operettas, and the composers behind them….

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Orpheus at the Opera There are literally hundreds of depictions of the Orpheus myth in opera, and we've chosen four to stage as part of our Season. Find out how the Greek tragedy has been given operatic treatment since opera began. Operas based on myths and legends Take a look at some of these best known operas based on Greek myths and Roman legends.The work was originally structured in two acts, though Offenbach later expanded it into four acts. The classic story of Orpheus concerns a renowned musician who is so distraught over the death of his wife, Eurydicethat he attempts to rescue her from the Underworld, the place of the dead.

This tragic tale was adapted for opera by many composers, including Claudio Monteverdi written and first performedChristoph Gluck first performedlater revisedand Joseph Haydn writtenfirst performed Unlike the other composers, Offenbach gave the story a farcical twist.

In his version Orpheus and Eurydice, though married to each other, are amicably living separate lives, each blissfully occupied with a new lover. Both he and Eurydice are pleased when his attempt fails. Audiences, however, loved it, and within a few years Orpheus in the Underworld became an international success. The French preferred their operas that way. The overture rapidly gained popularity on its own account, and it remains a favourite piece for orchestral pops concerts.

Public Opinion sets the scene for the ensuing drama: Eurydice is dissatisfied. Her husband, Orpheus, is obsessed with music, and she wishes to have a more attentive admirer.

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In fact, she has already taken a new lover, the shepherd Aristaeus the mortal disguise of the god Pluto, ruler of the Underworld. When she is mortally wounded, Pluto reveals himself, and the two go happily off to the Underworld. Orpheus is pleased with the outcome.

Unfortunately for him, Public Opinion declares that decency requires the reluctant Orpheus to retrieve his wife. Pluto is summoned after Mercury suggests that he may have had something to do with the recent death and disappearance of Eurydice. Other gods offer a distraction in the form of a protest against the tedium of daily life on Olympus. Jupiter, knowing that his own liaisons with mortal women have given the gods a low reputation, agrees to investigate the Eurydice situation, and the other gods, seeking diversion, accompany him to the Underworld.

Eurydice is bored by life in the Underworld, where she lives under house arrestguarded by John Styx. When the gods arrive from Olympus, her jailer hides her away, and it takes the intervention of the playful Cupid to bring Jupiter—in the form of a fly —face-to-face with the lady. Jupiter takes a fancy to Eurydice and suggests that the two of them depart for Olympus.

On the banks of the StyxPluto is giving a party for the gods, and Jupiter has brought Eurydice in disguise.

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Pluto soon discovers her identity. Bowing to Public Opinion, Jupiter declares that Orpheus must at least try to take Eurydice home, but he must do so without looking back. Orpheus fails the test when Jupiter throws a lightning bolt and startles him into turning around. Thus is Orpheus freed of Eurydice. Jupiter ultimately hands Eurydice off to Bacchus as another ornament for his wine-tinged revels.

Only Public Opinion finds this an unsatisfactory conclusion. All others break into a concluding cancan. Orpheus in the Underworld. Article Media. Info Print Print. Table Of Contents. Submit Feedback. Thank you for your feedback. Betsy Schwarm Betsy Schwarm is a music historian based in Colorado.Please note that neither the original file nor the mp3 file resulting from the conversion are available for download from this server.

The information provided on this page has been automatically extracted from the Midi file Offenbach - Can Can form Orpheus in the Underworld. You might be also interested in a 3D Visualization of this midi file. If for any reason you believe the content shown here is not appropriate, you can request the removal of this page.

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The table above provides detailed information about the Offenbach - Can Can form Orpheus in the Underworld. The waveform image is automatically generated after the midi file has been converted by analyzing the resulting mp3 file. The tonality information is an approximation and is inferred by analyzing the relative frequency of each of the 12 musical notes being played in the file. Given a piece of music, it is interesting to count how many times each of the individual twelve musical notes is played, and understand their relative weight, or importance, in the piece.

The hystogmam below is the result of such an analysis perfoemed on Offenbach - Can Can form Orpheus in the Underworld. Here is a summary of the detected tracks in the file:. We are converting midis online Since ! Offenbach - Can Can form Orpheus in the Underworld.Offenbach's earlier operettas were small-scale one-act works, since the law in France did not allow certain genres of full-length works.

Orpheus was not only longer, but more musically adventurous than Offenbach's earlier pieces. This minuet is taken from Act II. An extravagant party is in full swing in Hell, and the gods are singing the praises of wine.

Eurydice sneaks in disguised as a bacchante a follower of Bacchus, the god of winebut Jupiter's plan to sneak out with her is interrupted by calls for a dance. Unfortunately, Jupiter can only dance minuets which everyone else finds boring. Things liven up, though, as the most famous number in the operetta, the Galop Infernal best known as the music of the Can-can starts, and everyone throws himself into it with wild abandon.

Search Tunes Performances There are no recordings for this tune yet. Submit yours! Minuet from Orpheus in the Underworld. La la la. Le menuet n'est vraiment si charmant. Jacques Offenbach — Dance tunesOpera excerptsRomantic.Naxos Javascript not enabled.

Offenbach - Can Can from orpheus in the underworld midi file for Trombone (midi)

Creative Commons Zero 1. Creative Commons Attribution 3. Creative Commons Attribution-NonCommercial 4. Operas bouffes ; Theatrical Works ; Operas ; Comic operas ; Fairy operas ; For voices, mixed chorus, orchestra ; Scores featuring the voice ; Scores featuring mixed chorus ; Scores featuring the orchestra ; For voices and chorus with orchestra ; French language ; For wind band arr ; For orchestra without strings arr ; Scores featuring wind band arr ; For piano 4 hands arr ; Scores featuring the piano arr ; Scores featuring the piano 4 hands arr ; For 2 players arr ; For piano arr ; For 1 player arr ; For horn, trumpet, trombone, tuba arr ; Scores featuring the horn arr ; Scores featuring the trumpet arr ; Scores featuring the trombone arr ; Scores featuring the tuba arr ; For 4 players arr.

Contents 1 Performances 1. Performers Tomoe. Javascript is required for this feature. Performers Synthesized orchestra.

offenbach orpheus in the underworld infernal galop midi

Editor Bert Breig. Pub lisher. Other dates ranging from to have been added in pencil to various parts. Language French. Plate This file is part of the Sibley Mirroring Project. Language English. The original musical content has been severely cut in this version.

Arranger Louis Philippe Laurendeau Louis Oesterle — Arranger Wayne Beardwood. Jede Woche Musik. Wochenschrift des Berliner Tageblatts 1.

offenbach orpheus in the underworld infernal galop midi

Jahrgang, Nr.Sheet music file including a license for an unlimited number of performances, limited to one year. Read license 5. Read license 4. Read license 3. Sheet music file 3. Sheet music file 2. Sheet music file 7. Read license 9. Read license 7. Sheet music file Sheet music file 4.

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Sheet music file 6. Upload Sheet Music. Publish Sheet Music. En De Ru Pt. Jacques Offenbach. For string orchestra. Look inside. PDF, The famous Galop from Offenbach's Orpheus in the Underworld always goes down well in a concert.